Lindsay Mofford is an editor/director and content producer with over 20 years experience in the Los Angeles post-production community. Check out her film, “My Name Means Future” by Andrea Bowers, on Vimeo at https://vimeo.com/user11551286.
Lindsay Mofford’s work can be found at http://www.lindsaymofford.com/.
Mentions
Andrew Kreps Gallery: http://www.andrewkreps.com/
MPEG: https://www.editorsguild.com/
Film Independent: https://www.filmindependent.org/
Women In Film: https://womeninfilm.org/
Hollywood Professional Association: https://hpaonline.com/
Free Sound: https://freesound.org/
Hollywood Edge/Sound Ideas: https://www.sound-ideas.com/
Frederick Wiesman, American Filmmaker & Documentarian – https://en.wikipedia.org/wiki/Frederick_Wiseman
Sally Menke, Academy Award Nominee for Best Film Editing of Quentin Tarantino’s Inglourious Basterds and Pulp Fiction – https://en.wikipedia.org/wiki/Sally_Menke
Ava DuVernay, Writer/Producer/Director/Distributor, Emmy, BAFTA and Peabody Awards Winner, Academy Award Nominee – http://www.avaduvernay.com/
Mark Goldblatt, Editor, A.C.E. – https://en.wikipedia.org/wiki/Mark_Goldblatt
Must Watch
Law and Order – cut for expression/build character.
Gunsmoke.
Seven (Se7en).
The Rock – emotion before continuity.
Once Upon a Time in the West – sound as character.
1917 – amazing sound.
Women In Post Recommended Reads:. https://bookshop.org/lists/women-in-post-recommended-books
How to Avoid The Cutting Room Floor: an editor’s advice for on-camera actors, by Jordan Goldman, A.C.E.In the Blink of an Eye: A Perspective on Film Editing, by Walter Murch
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MUSIC
Paradise Alley, by Daniel King on SoundStripe